Services

I help artists, labels, and producers finish records with clarity and intention.
Whether it is stereo mastering, Dolby Atmos, or mixing, my role is to support the music, protect the vision, and make sure it translates everywhere. Every project is handled personally, with focus and care.

Black Saloon Studio - Highlights

Aphex Twin, Manu Chao, Feist, Judas Priest, Glass Animals, David Gilmour, Animal Collective, Annie Lennox, Armand Van Helden, Ásgeir, Basement Jaxx, Brian Eno, The Chemical Brothers, Depeche Mode, Faithless, Fatboy Slim, Frightened Rabbit, Ghostpoet, Gil Scott-Heron, Goldfrapp, Goldie, Jamie xx, John Martyn, Lostprophets, Max Richter, Merzbow, Missy Elliott, Modjo, Mogwai, Morcheeba, Mount Kimbie, Nick Cave, Nils Frahm, Ólafur Arnalds, Paul McCartney, PJ Harvey, The Prodigy, R. Kelly, Sigur Rós, Snoop Dogg, The Jon Spencer Blues Explosion, The Kills, The Knife, The White Stripes


 

The Martin Advantage

I listen first. Every project deserves patience and intention. I make small, meaningful moves that support the artist and keep the music honest. The goal is a record that translates everywhere and still feels alive. If I do my job well, you forget about mastering and simply feel the song.

 

Experience

I am a mixing and mastering engineer who focuses on immersive audio and high-fidelity production. I have worked on international, award-winning releases, and I bring more than two decades of studio, live sound, and technical experience to every project.

From 2015 to 2019, I worked as Senior Mastering Engineer at Black Saloon Studios, where I took a lead role on major releases and collaborated closely with artists, producers, and labels. Before that, I supported the studio as a consultant, providing technical guidance and mastering assistance.

In 2007, I founded Audistro ProAudio Distribution, curating premium tools for professional engineers. That experience gave me deep insight into audio technology, product design, and how the right tools shape great sound.

I have had the privilege of studying with some of the engineers who inspired me early in my career. I learned mixing from Chris Lord-Alge and Andy Wallace, and mastering with Mandy Parnell.

My journey began at Eversound Studio, where I spent a decade recording and mixing across genres. At the same time, I mixed more than 500 live shows as Front of House engineer at festivals and venues around the world, which taught me how music needs to translate in real-world environments. My work at Opernhaus Zürich helped refine my attention to precision and detail through classical and theatrical productions.

Today, my goal is clear. I create mixes and masters that feel emotional, translate everywhere, and stand the test of time in stereo, Atmos, and beyond.

I work closely with every client and every record.
Book a session, bring your project, and we finish it together with intention and clarity.

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